A gallery highlighting our work
We mounted this lovely baroque polychrome woodcarving onto our custom made portoro marble base.
Picasso’s print on paper framed in a dark gray custom made picture frame. display is fitted with a Museum Glass protective glazing. Artwork is set in place under archival window mat by noninvasive mounting method.
"LE POISSON BLEU" by Marc Chagall, lithographic print on paper, archivally framed with Alpharag boards and protected with anti-reflective, 99% UV blocking Museum Glass glazing.
Bruce Springsteen’s autographed book, noninvasive mounted in a deep Shadow Box Display.
original lithograph print by Keith Haring, distributed at the nuclear disarmament protest in New York's Central Park in 1982. The art print is float mounted in the shadow box picture frame using a reversible mounting method and is protected with museum glass glazing.
the inspiration for this mosaic artifact comes from Picasso's painting "Les Demoiselles d'Avignon". Cement board affixed to a wood sub-frame functions as the display's foundation. the mosaic is set in a reinforced mixture of cement, quartz, and polymers and is fitted into a streamlined, custom-made, blackened steel float frame.
“family tree”, a contemporary photo print by Chinese artist Zhang Huan. this is sequence 3 of 9 color photographs. Art work is displayed in ebonized, solid maple wood frame fitted with Conservation Clear, 99% UV blocking acrylic glazing.
contemporary photo print by Chinese artist Zhang Huan. This is sequence 8 of 9 color photo prints. Art work is displayed in ebonized, solid maple wood frame fitted with Conservation Clear, 99% UV blocking acrylic glazing.
Shepard Fairey's signed limited edition print is framed in a shadow box display. The print is float mounted over a pedestal base using a reversible mounting method. Custom spacers separate the art from the conservation clear acrylic glazing. The surface of this large, closed-corner frame has been finished in a custom color.
A digital photo print on paper, float mounted into a handmade, gallery-style solid wood picture frame. The artwork is protected with museum glass glazing.
This signed, limited-edition photographic print on paper is framed in a contemporary styled, solid cherry wood frame, fitted with an Artcare archival boards and museum Optium acrylic glazing.
Leo Touchet's color photo print is mounted by noninvasive method under a 4 ply alpharag mat window and museum glass glazing. The gallery style maple wood frame is finished in a solid dark gray color.
A black and white silver gelatin print by architect Ryan Bemberg is displayed in a shadow box picture frame. For aesthetic and preservation purposes, we separated the artwork from the museum glass glazing with spacers and a 4-ply window mat. The closed-corner frame was hand-finished with a custom mixed graphite gray metallic paint.
A limited edition print, framed in a solid wood, closed-corner frame. The artwork is archivally mounted under a window mat cut from 12 ply Museum RagMat.
an oil painting on canvas by George Gutierrez, displayed under museum glass protection. The inside of this deep shadow-box picture frame is lined in linen fabric. custom made, walnut shadow box frame is finished with an environmentally friendly ebony stain and varnish.
A large painting on canvas framed in a custom colored Float Frame.
Friedrich Danielis watercolor and ink drawing is on display in a gallery style maple wood frame. The artwork is float-mounted on a linen-laminated mount board. A two-ply off-white window mat overlies an 8-ply mat bevel, gilded in 22 karat gold. Museum glass glazing is used to protect organic materials in a display from UV radiation.
This gallery style, shadow box, picture frame is custom finished in a graphite gray color. We float-mount artwork on to archival mounting board and use museum glass to protect the print from deterioration.
contemporary digital color print on paper, framed in a solid ash wood frame. The frame's surface is finished in a white-wash glaze. large and clean margins of the artwork allowed us to display the print without a window mat. framed with museum glass glazing protection.
we restored the surface of this vintage picture frame by stabilizing a pealing layer of gesso, and color retouch distressed picture frame surface.
The window mat, mounting board and backing boards were replaced with materials of an appropriate ph value. noninvasive mounting method was used to keep the photograph in place.
installed an acid-blocking barrier separate the picture frame from the materials contained in the framing envelope. Displayed Vintage photograph is protected with a 99 percent UV blocking glazing.
For the clearest viewing experience of the needlepoint texture and to slow UV deterioration of treads, Museum Optium glazing protection was chosen. The needlepoint overlay is a linen wrapped archival window mat. The object is mounted on an inert, ridgid mounting board and fitted to a custom-made aluminum frame.
Before restoration: broken terracotta sculpture from the early 1970s.
The restoration process began with the meticulous assembly and attachment of shattered terracotta parts, followed by cleaning the sculpture's surface. Missing parts were reconstructed by sculpting with a high-strength filler mix of matching color.
our custom-fabricated, hand-textured mount holds on display a wood-carved African mask artifact.
African Mask; back view of noninvasive mounting.
We mounted the tortoise shell artifact onto a blackened steel base mount.
Work in progress: curing of a custom made plinth cast in cement.
display protection for the times when the exhibited object is not going to be on view for an extended period.